Time moves differently when you have a baby. Though being stuck at home without seeing family and friends makes things feel sluggish, I also can’t believe that my daughter is approaching three months old in a mere few days. Maybe it’s the fact that I turned 30 at the beginning of the month, but I’m starting to feel like an old person who can’t stop saying “Where has the time gone?” Not that 30 is remotely old; in fact, I’ve been excited to reach this milestone for quite some time…though doing so while isolated has been an odd experience.
Still, some exciting things have happened this month. I’m back to recording with Manga Machinations! It’s so nice to be back talking about manga with the guys, getting a little time away from mom duties. I’m super excited that we’re doing a Yu Yu Hakusho retrospective series right now! I haven’t had an opportunity to write all my feelings about Yu Yu Hakusho (because they are vast and hard to articulate), but it’s one of my favorite series. To pique your interest, there’s an awesome promo video, as well as my reread thread on Twitter. And of course, there’s the first episode! Check it out!
Happily, I’ve been able to do quite a bit of reading this month. I’m starting to get into a good routine where that’s concerned, trying to read when Severina nurses (if she’s cooperative, which is less often lately), and then getting more reading done at night after she’s down for bed. Writing gets done during nap times — like right now, she’s sleeping on me in a sling. By the time I finish this blog post, I probably will have come back to it several times. There’s a learning curve to balancing working and parenting (and luckily I have my husband home right now to keep helping), but we’re getting the hang of it. In many ways, being at stuck at home right now is working to my benefit, even if it doesn’t always feel like it. At least there’s plenty to read!
Happy Mania, Volume 1 — by Moyoco Anno, published by Tokyopop (out of print)
I’ve been feeling really nostalgic about manga lately. I’m wondering if this is a byproduct of no longer working in comics, and therefore not being up on everything that’s new right now at all times like I used to be. Regardless, this led me to find some used copies of old Tokyopop volume ones that I never got to read back when they were in print. As someone who came late to Moyoco Anno, it was important to me to check out Happy Mania. And as I expected, it was a riot. Protagonist Shigeta works at a bookstore and is desperate for a boyfriend. She continually keeps going out with guys who take her for granted, meanwhile her coworker Takahashi is clearly in love with her — and is a decent, dependable guy to boot. Shigeta is very much her own worst enemy when it comes to romance, and I continue to admire Anno’s willingness to depict women with glaring flaws. Her protagonists toe that line between insufferable and lovable, and as always, her frenetic artwork is a refreshing break from overly-trendy styles. It looks like there’s a sequel to this series in Japan. With the original out of print here, I doubt this new series will see the light of translation, but I can hope!
Spy X Family, Volume 1 — by Tatsuya Endo, published by VIZ Media (available digitally through Shonen Jump, print version out June 2nd)
People have been talking up Spy X Family for a while, and I finally got on the train because it’s coming out in print, and I have an opportunity to review it for Comics Beat (which I plan on doing). This is another one of those circumstances where I kick myself for not reading it sooner; it’s way more up my alley than I had anticipated! A spy known as “Twilight” is put on a mission to infiltrate the prestigious school, necessitating the acquisition of a fake family. The catch is that his “family” cannot know about his mission, otherwise it will be jeopardized. He adopts a little girl named Anya, not realizing that she is the result of government experimentation that left her with psychic abilities. Through happenstance, he marries an assassin named Yor, who is also trying to keep her job a secret from him. Little Anya is the only one who knows the whole story, and she isn’t telling anyone! I’m sure I’ve mentioned before that I’m a sucker for found family stuff, and I especially love Twilight’s reasoning to become a spy in the first place. The first volume is equal parts hilarious and heartwarming, and I am definitely planning to continue reading.
Wave, Listen to Me!, Volume 1 — by Hiroaki Samura, published by Kodansha Comics (digital available now, print version out May 26th)
Time to confess that I’ve never read Blade of the Immortal (and I suspect it’s not really my kind of manga). This is actually the first Hiroaki Samura manga I’ve read all the way through, and I was surprised by how much I liked it. Minare Koda is a loud-mouthed waitress who spills her drunken heartbreak to a local radio show host at a bar one night. He records her ramblings and airs them on live radio, pulling her into the world of broadcasting with his desire to harness her untrained but ceaseless voice and see what comes of it. Minare reminds me a bit of Shigeta from Happy Mania, actually, in that she’s a fast-talking lady preoccupied with her love life who goes off on wild fantasy tangents a lot. Samura is an excellent artist, so I’m really glad to be able to read something of his that doesn’t seem to rely on the, uh…torture of women. Though Minare might feel tortured to some extent in this series! There’s a current anime adaptation of this series airing right now, as well, which makes the print version’s timing excellent.
The Art of Junji Ito: Twisted Visions — by Junji Ito, published by VIZ Media
When VIZ announced that they were going to be publishing this for North America, I was really glad I hadn’t dropped $90CAD on the original Japanese printing at TCAF last year — though it was extremely tempting. To say that it’s a gorgeous collection of paintings and illustrations is an understatement. The silver and black of the jacket is echoed on the interior pages that were originally black and white, giving the feeling that they are truly special. Most fans are used to seeing Ito’s pen and ink illustrations, and while there are plenty of those, it is exciting to see his painting work, and to learn in the interview at the back that his original intention was to be a painter and not a mangaka at all. As always, his quirky and self-deprecating sense of humor shines through in translation. This is a must-have for an Ito completionist (like myself), and a great addition to any art book library, as well.
A Man and His Cat, Volume 1 — by Umi Sakurai, published by Square Enix
Square Enix is having a moment right now with the release of the new Final Fantasy VII remake. But a couple months back, they released their first manga as a North American publisher (having already been a publisher in Japan for many years). One of those new manga is A Man and His Cat, AKA the exact kind of thing I love to read. In it, a chubby, so-ugly-he’s-cute cat who has been ignored by shoppers at a pet store for over a year is worried that he will never find his forever home. One day, however, an older gentleman adopts him, naming him Fukumaru. The man had been living all alone after the death of his wife, and the two had always talked about getting a pet. The first volume is packed with situations instantly recognizable to those who share their home with a cat. In many ways, it reminded me of What Michael?, except there is a loose ongoing plot and far less absurdist humor. It’s sweet, it made me chuckle, and I’m looking forward to more!
If we stay in a state of relative physical isolation for much longer, all of my monthly favorites are going to be this long! Hopefully there’s something here to help you pass the time, as well. Stay safe!
Author: morganarhalina
March Favorites
Hey all, I hope you’re all doing well. This has been a wild month for all of us, I’m sure. For my part, not a whole lot of day-to-day has changed. I already work from home, so I’ve been meeting deadlines as usual (though I’m taking on fewer things right now as I still adjust to being a work from home mom). My husband is still on paternity leave until April 13, but it’s looking like he’s going to be working from home after that point, as well. We were already largely staying at home since Sev can’t get her flu shot until she’s 6 months old, but now the flu has been completely overshadowed by COVID-19. And of course, we can’t have any visitors now. My mother had been coming up from Connecticut weekly to spend the day with us, and we really miss her presence.
It almost feels silly to do a reading round-up, a little unimportant in the grand scheme of things. But I think a lot of people are trying to find ways to spend their time at home, so hopefully some reading recommendations won’t be amiss. And besides, sometimes it’s helpful for our mental health to try to keep some sense of normalcy in the face of adversity.
The Golden Sheep, Volume 1, by Kaori Ozaki — published by Vertical Comics
This is one I missed when it initially came out and ended up borrowing from the library before we all had to avoid public spaces. I had read and loved Kaori Ozaki’s The Gods Lie, so I was eager to read something else of her’s. In The Golden Sheep, protagonist Tsugu Miikura is moving back to her hometown after having moved away in elementary school. She is eager to reunite with her three childhood friends, expecting that nothing would have changed between them in the intervening years. Unfortunately, she finds that tensions in the group are high, and her dream of coming home to something familiar winds up backfiring. Ozaki’s got an incredible ability to pepper her high drama stories with humor and gentleness. The simplicity of her character designs does not hinder their expressiveness; indeed, her characters are full of emotion. I may have to wait until I can go back to the library to read the second volume, but I’m looking forward to it!
Kakushigoto: My Dad’s Secret Ambition, Volume 1, by Kouji Kumeta — published by Kodansha Comics, available digitally
I honestly wasn’t expecting to like this manga. I almost didn’t read it at all, in fact. At first glance, it can seem like one of those series where a father has a questionable relationship with his daughter. In this case, father Kakushi Goto is a mangaka who specializes in “dirty” manga. He is desperately trying to keep his career a secret from his little daughter, Hime. He wants to protect her from the embarrassment of having a father in a sleazy line of work, not realizing that everyone around him respects him and loves his work. In pursuit of keeping his secret, Kakushi gets into a lot of weird and humorous situations. But I was most struck by the fact that this really does seem to be a sweet story about a father who wants what’s best for his daughter, and a daughter who loves and supports her father no matter what. I personally also like the inside baseball stuff about the manga industry. My favorite part was the frankly absurd cameo by Kazuhiro Fujita, creator of Ushio & Tora and The Ghost and the Lady. Really fun, and available digitally — so good quarantine reading!
Therapy Game, Volume 1, by Meguru Hinohara — published by VIZ Media’s SuBLime imprint, available June 9, 2020
This is another manga I liked more than I anticipated! This is the sequel series to Meguru Hinohara’s oneshot Secret XXX (coming out April 14), which I also had a review copy of and thought was reasonably cute. But Therapy Game has character types I like better: the aloof, beautiful, and very gay guy who is actually very sensitive, and the gentle, heartbroken guy who is trying to sort out his feelings. The story focuses on the brothers of the main characters from Secret XXX, Shizuma and Minato. Shizuma had been drinking his sorrows away in a gay bar after getting dumped by his girlfriend, and Minato happened to listen to him and then take him to a hotel room to sleep off the booze. Shizuma, allegedly straight and definitely wasted, ends up giving Minato an extremely memorable evening — which Shizuma completely forgets by morning. Minato decides that he’s going to get revenge by seducing Shizuma and then dumping him, but of course…real feelings crop up unexpectedly! It’s definitely a dramatic, sappy manga, and it leaves off on a bit of a cliffhanger in terms of the guys’ relationship. But I often feel like I have to wade through a lot of middling to bad BL, and this one stood out in character and artwork for me. You don’t have to have read Secret XXX to understand what’s going on, but a couple references might be lost on you. (I didn’t realize it was a sequel going in, only realizing it after seeing characters from the other manga.) Needless to say, this is absolutely a mature manga for readers 18 years old and over. There’s not a lot of explicit sex, but it’s definitely there, so reader beware!
And that’s March! I hope that by the end of April, we’ll all have some better news about COVID-19. In the meantime, I have to spend my birthday and Easter both at home away from family and friends, and that’s hard — but it’s necessary, and I know we’re all giving up a lot to make sure that we flatten the curve! Please be safe and responsible, and if you can, take advantage of any free time to catch up on reading, or take up a hobby, or just simply rest. And wash your hands! ;3
A Little Life Update + January & February Favorites
As promised, I didn’t update last month because I was busy being 9 months pregnant. On February 3rd, my daughter Severina was born, a little late but in good health! In the ensuing weeks, I’ve been busy trying to learn how to do this whole “mom” thing, and just generally enjoying her presence. She sleeps a lot, of course, so I’ve had a chance to get a little reading done as I ease back into work, on top of the reading I got done before she arrived. That means this is a longer “favorites” post than usual — a nice challenge for me as I get back into the groove of writing!
I’m also trying something new this month. I’ve become an affiliate of Bookshop.org, a website that is seeking to redirect some of Amazon’s book sale profits to independent bookstores. I try not to preach too much, but I have serious concerns about Amazon’s affect on the publishing industry, so I’m glad to be able to provide an alternative option to readers. Full disclosure: If you order books through my links, I will get a percentage of that sale. I am obviously very grateful if you do choose to do that — but I would also encourage you to try to do more of your book shopping through the website itself when you can’t get to your local independent bookstore or comic shop, regardless of whether it kicks back to me or not. It will benefit other affiliate bookstores and folks in the world of book retail and reviewing.
What’s Michael? Fat Cat Collection, Volume 1, by Makoto Kobayashi — published by Dark Horse Comics
Those of you who follow me on Twitter will likely have seen some of my ravings about What’s Michael? in the past, and will know that I’m a huge lover of cats. This hilarious series is about the quirks of cats, as shown through Michael, a sort of stand-in for all orange tabbies everywhere, and his cat companions. This is also, however, a series about the quirks of cat lovers; frequently the human characters are depicted as going above and beyond what seems reasonable in favor of providing the best for their cats. My personal favorite recurring characters are the yakuza member known as K who doesn’t want anyone to know that he keeps and dotes on a cat, and his rival yakuza member M who doesn’t want anyone to know that he is horribly afraid of cats. Each man is worried about shattering his manly image, you see. Makoto Kobayashi seems to enjoy the incongruity of stereotypically masculine men loving cats, and it is clear from his keen observation that he himself is a great lover of felines. Dark Horse had originally published this series in smaller volumes back in the 90s, and I’m really, really excited that they’re bringing it back in this “fatcat” edition for a new wave of cat-loving readers!
Our Dining Table, by Mita Ori — published by Seven Seas Entertainment
I read a lot of BL, and the majority of it is…not great, honestly. I wade through a lot of excessive drama seeking out romances that are sweet, or comforting, or just plain pleasant. Luckily, those kinds of BL are becoming easier to find, and I would count Our Dining Table among them — though honestly, the romance is more of a bonus than a feature in this cozy food manga. Yutaka is a salaryman who has trouble eating around others. One day, he intercepts the young Tane, a little boy with a big appetite who becomes obsessed with Yutaka’s homemade onigiri. Through Tane, Yutaka meets Minoru, his older brother, and the three fall into a pattern of sharing meals together regularly. Obviously a romance buds between Yutaka and Minoru, but the real draw is the focus on shared meals — regardless of their quality — as a vehicle for creating familial bonds. As someone who grew up in an Italian household (and who loves food), this idea of sharing meals as a family is really important to me. I loved to see it utilized in a “found family” narrative, highlighting the importance of nourishing each other physically and emotionally.
You Are New, by Lucy Knisley — published by Chronicle Books
Okay, I’m cheating a bit here. You Are New is actually a picture book that I bought for my daughter before she was born. But I’m including it here because it is another in an ever-growing collection of works by cartoonist Lucy Knisley about…well, babies. I haven’t forgotten my promise to write a piece about pregnancy and parenthood in comics, and I’m slowly accruing a small horde of books and links to use to that end. Knisley keeps churning out content that simply demands to be part of that future post! In this case, she speaks directly to children instead of parents, assuring them that their newness — whether it’s because they were just born or because they are meeting new people or whatever the case may be — is a wonderful gift of growth and change. We are constantly in the process of reinventing ourselves day to day, and none moreso than children. I’ve read this to Severina a few times now, both before and since she was born. Soon, she’ll be able to appreciate the lovely, bright illustrations that depict kids of all ages and backgrounds. Until then, well…she’s still very new!
Kodocha, Volume 1, by Miho Obana — published by Tokyopop (out of print)
This also feels a bit like cheating, since this is actually a reread — though I first read this manga in 8th grade, about seventeen or so years ago! I have a soft spot for “old” shojo (stuff from the 90s and early 00s, basically), and on a whim realized that I wanted to revisit this series, which is so good at balancing absurd, slapsticky humor with intense, soap opera-style drama. Protagonist Sana is a famous actress, and she’s having trouble at school with a bully named Akito. As she tries to fight back against his classroom tyranny, she learns about his tragic past and is spurred to help his family overcome their issues through her performance in a movie that closely mirrors their experiences. It sounds trite, and perhaps in some ways it is…but there’s something so appealing about the characters that I find myself drawn in, anyway. Maybe it’s the nostalgia talking, but if you can find old copies of Kodocha at your library or used somewhere, I do recommend checking it out, especially if you remember the good old bad days of North American manga publishing.
Blue Flag, Volume 1, by KAITO — published by VIZ Media (available April 21, 2020)
This is one of those series around which there’s been a lot of buzz, so I was really excited to see it getting a print release through VIZ this year. In many ways, Blue Flag seems like a straightforward high school drama revolving around an uncomfortable love triangle. Protagonist Taichi is entering his final year of high school, and discovers that he’s in the same class as his childhood friend, Toma. While Toma doesn’t seem to think anything between them has changed, Taichi feels that Toma’s popularity and good-naturedness separate them, and he doesn’t really considering Toma a close friend. He happens to discover that a timid girl in his class, Futaba Kuze, has a crush on Toma. She asks for Taichi’s help to get Toma’s attention — and complications ensue. The three get along well, but Toma is hiding his real feelings about his own affections, and Taichi suddenly feels far more attached to Kuze than he anticipated, especially considering he rather disliked her at the outset of the manga. I had never read anything by KAITO before, but his artwork is absolutely lovely, and he manages to keep a high school love triangle (one of my least favorite tropes) interesting through genuinely likable characters. So far, there’s no overly-dramatic backstabbing or eyeroll-worthy declarations of romantic intention. And besides, there’s an LGBTQ+ angle here as well, and I’m curious to see how that’s handled in future volumes.
My Androgynous Boyfriend, Volume 1, by Tamekou — published by Seven Seas Entertainment
Upon seeing my Goodreads rating of this volume, a friend with whom I didn’t think I had much discussed my love of androgynous men commented, “Oh brand.” And truly, this is a very on brand manga for me in so many ways. Wako is a hard-working manga editor who isn’t terribly interested in her own appearance, but who loves cute and beautiful things. This affection extends to her boyfriend, the fashionable and feminine Meguru. This unlikely couple loves each other fiercely, and the story mainly revolves around the misconceptions others have about their sexualities (since some people assume Meguru is a woman, or that he is gay). So far, even though Wako and Meguru both deal with some struggles in their professional and personal lives, this is a series without any malice. These two lovebirds are happy with each other, and they work hard to maintain their relationship with a great deal of mutual respect and admiration. The first volume was simply relaxing and enjoyable to read, and I look forward to seeing what future volumes have in store.
Well, there’s two months’ worth of recommendations for you, dear readers! I’ll be getting back to reviewing for Comics Beat soon, too, so continue to look for my long-form reviews there. Much as the time away has been nice (and brief!), I’m looking forward to diving headlong back into manga writing, as well as my other work. It’s important to keep the mind active, even when caring for a child! At the very least, I’ll be back again next month for another favorites post, so keep an eye out for it.
December Favorites
It wasn’t that long ago that I wrote up my favorite comics from November, but here we are already — the last day of 2019. It’s been quite the year for me, both in terms of my involvement with comics and in my personal life. A new year and a new decade is an exciting prospect! This will probably be my last monthly favorites post for a while, since next month I’ll be getting my bearings as a mother. As promised, I’ve been trying to slowly collect comics on pregnancy and motherhood, so I hope to write about that once I have some of my own experience with this new part of my identity! And I’m thinking of trying to combine some of my parenting experience with comic recommendations, but that might have to wait until my little one is out of infancy — we shall see!
But anyway, I’m jumping the gun a bit here. For this month, I’ve got a couple goodies that deserve some recognition!
Hell’s Paradise: Jigokuraku, Volume 1, by Yuji Kaku — published by VIZ Media
So far, I’ve only read the first volume of this series, despite the fact that it can be read chapter-by-chapter on the Shonen Jump website. A print copy is coming out in March, so I snagged an advance review copy — and I’m glad I noticed it, because otherwise I may not have thought to read this series! Ninja assassin Gabimaru has been sentenced to death for his crimes, but the stoic executioner Sagiri has been able to discern that he wants nothing more than to be reunited with his wife. She makes a deal with him: Gabimaru can go free if he finds the elusive Elixir of Life on behalf of the shogun. The Elixir is rumored to be on a mysterious island that keeps sending back every explorer as hardly human, blissful and with flowers growing out of their bodies. I enjoyed this first volume because it combines my interest in aesthetic violence/gore, my appreciation of a supposedly unfeeling character with an emotional weakness, and a complex female character who has to overcome her own insecurities as the story progresses. There are some seriously creepy monster designs even just in this initial book, so I’m looking forward to what this strange hell island has to offer going forward!
The Harrowing of Hell, by Evan Dahm — published by Iron Circus Comics, out March 10, 2020
It’s been a…hellish month, I guess! I don’t talk much about religion in general, but I was raised Catholic and even though I am not practicing, there are a lot of aspects of my religious upbringing that are still important to me. Chief among them is Jesus as a man, trying despite all the setbacks to preach radical peace. I follow creator Evan Dahm on Twitter, and I’ve been looking forward to his interpretation of Jesus’s descent into Hell for a long time now. The final product — or at least the advance copy I was able to get — is a gorgeous, black-white-and-red, ink-heavy, heart-heavy journey that was a pleasure to read. It spoke to me very directly as a lapsed Catholic, and as someone who appreciates seeing the humanity in Jesus more than the divinity. I think I’d like to read it again once it officially comes out to see what I’ve missed, because I suspect that the physical book will offer a more satisfying, tactile read than the digital galley. This is the second of Dahm’s works I’ve read, and I continue to be impressed by his ability to say so much with imagery. Also, I just really liked the little ribbon-like tails on the word bubbles in this volume. It was a sweet little detail that felt very special and carefully considered.
I suppose it seems odd to end the year/decade reading books about Hell or Hell-like places! It wasn’t really intentional, but these types of stories tend to be among my favorites. I’m hoping to read a lot of Jigokuraku while on my self-imposed maternity leave; in fact, I’m hoping to get a lot of reading done, in general, since I’ll have a lot of time where I’m sitting still holding/nursing a baby. Best laid plans of mice and Mo, of course — I feel as though I say I hope to read more every month.
There may be one more blog post in me after the New Year and before the baby arrives. But just in case there’s not, I hope everyone has a wonderful start to 2020, and that the year ahead brings lots and lots of manga to everyone!
November Favorites
Well, I realize we’re already nearly halfway through December, but I promised monthly favorites lists, and by golly I’m going to get one out to you! I had considered rolling November and December together, but I have a brief moment of respite between all the end-of-the-year deadlines, so I thought I’d take a few to get this done.
Like many people, my life gets increasingly hectic starting in October and ending…well, never, but at least settling down somewhat by January. November saw me baby showered, nursery tidying, having my blood pressure monitored at the hospital, celebrating Thanksgiving with my family, attending a birthing class, and just generally becoming more worn down as I entered the third trimester. Even more has happened since November, but I’ll leave that to next month’s favorites list (which might be the last one for a while).
And of course, much of my reading these days comes down to what is necessary for work, not always what is foremost on my personal interest list. I’ve gotten much more reading done this month already — somehow, being extra busy means finding creative ways to get other things done sometimes! But I’m getting ahead of myself. Let’s take a look at two stand-out comics that I read in November!
Nicola Traveling Around the Demons’ World, Volume 1, by Asaya Miyanaga — published by Seven Seas Entertainment
I wrote a full review of this manga over at Comics Beat, but I couldn’t help but talk it up again. I have a hard time finding manga that I can unreservedly recommend for all ages, but Nicola is one of those rare books that I can hand to any kid confident that it will be fun, appropriate, and suitably weird. Obviously, parents who keenly object to sympathetic depictions of Hell might be put off, but on the whole, this is a story about a sweet little witch girl who is scooped up by a traveling Devil merchant on her quest through the demon world. She has only one magical ability: she can make a flower appear. She is proud of this, but sad that she can’t seem to get any further in her magic abilities — except that she’s had a couple big breakthroughs that she can’t replicate. The premise is fun, the characters are charming, and the sketchy quality of the artwork (printed in brown ink in the physical version of the manga) is unique and rich. I was pleased that my initial review on Comics Beat led my cousin to consider it for his daughter’s Christmas gift; it’s an excellent pick for the kid who delights in the weird but isn’t really keen on being outright scared.
Baby: A Soppy Story, by Philippa Rice — published by Andrews McMeel, out January 14, 2020
When I announced my pregnancy, I put out a call for comics recommendations about pregnancy, childbirth, and parenting. The options, especially for pregnancy narratives, were very slim, and I was beginning to get disheartened. But it looks like there are a number of autobiographical pregnancy comics coming early next year, right around the time my own baby will be born! I was lucky to be able to grab an early copy of Philippa Rice’s Baby, which is both gentle and honest in its depiction of Rice’s experience with her first pregnancy. (Judging by her Instagram feed, it looks like she’s pregnant again — with twins!) I’ve read a little bit of her other work (like Sister BFFs), and I’m always struck by how similar our experiences are…and only slightly because she draws herself a little bit like how I look/used to look, all bobbed hair and red/black/white clothing, haha. This little book had me laughing, nodding, and sighing along with how relatable it is to my own pregnancy experience, and it really got me excited about bringing this new little life into the world. Her work is very sweet, so I definitely recommend looking back through her previous works while you wait for this book to come out in January!
So this month was something for the kiddos and something for moms and moms-to-be, it looks like! Next week, I’m expecting my in-laws in town for the holidays, so there’s a chance that the December Favorites will also be delayed. I am pretty keen on getting it done, however, since who knows how much I’ll be able to do once I have a tiny baby attached to me at all hours of the day. Until then, I hope everyone has an enjoyable holiday season full of warmth, tasty meals, family and/or friends, and excitement for the year ahead!
October Favorites
October is over! Can you believe it — my favorite month zipped by so quickly, just like it does every year. I love Halloween but also always get a little sad when it gets close because that means the spookiest month of the year will soon be done. But no matter, November is also lovely, and the holidays are coming up fast. I do enjoy spending the cold winter months with family — and this year we’ll be inviting a new member come late January or early February, so there’s a lot to look forward to!
This year, I helped to organize and run the Massachusetts Independent Comics Expo, better known as MICE. Because it was my first time helping, and because I was not as mobile as usual, I felt like I did more observing and learning than anything else. But I had a wonderful time, and I was even able to pick up a couple zines on pregnancy and motherhood! I’m slowly chipping away at my goal of writing about what I’m affectionately referring to as “mom comics.”
Other than MICE and Halloween, it’s been business as usual. I read a couple lovely things this month that I want to share with you, both very much in the spirit of the spooky season!
The Wize Wize Beasts of the Wizarding Wizdoms, by Nagabe — published by Seven Seas Entertainment
I actually did a full review of this manga for Comics Beat (along with a review of Cats of the Louvre), but I just wanted to reiterate how much I enjoyed it since I don’t write those reviews in the first person, and these posts on my blog are more about my personal opinions! Wize Wize Beasts is, in a word, great. It is fluffy BL romances set in a magical wizarding world full of humanoid animals. It plays with some BL and romance tropes that aren’t my favorite (like a student-teacher mutual attraction, though it doesn’t get taken too far), but it’s mostly just fun. I keep using the word “indulgent” to describe it, because it’s not pretending to be anything other than pure entertainment. And, as always, Nagabe’s artwork is wonderful — dark and whimsical, with deft character designs.
The Twilight Man: Rod Serling and the Birth of Television, by Koren Shadmi — published by Life Drawn (Humanoids)
Oh, Rod Serling. I had been looking forward to reading this advanced copy I had for a while, and I finally just went for it. No regrets. I’m a huge fan of The Twilight Zone and of Rod Serling as a writer and a person, so this biographical comic was always going to be my catnip. It is thoroughly and lovingly researched, and follows Serling from his days serving in World War II all the way through post-Twilight Zone and to his all-too-early death. Koren Shadmi chose to depict the entire book in black and white/grayscale, which I really appreciate. As a manga reader, I often prefer black and white comics because I like to see the use of texture and shading really pop (which is possible in color comics, of course, but less common). In this case, it also lends that old-TV look and feel, giving us the Rod Serling we all recognize from our small screen. I also love the way Shadmi used the framing of The Twilight Zone to pull a bit of a twist on the reader — but I don’t want to give anything away! Definitely give it a read if you’re interested in the show, the man, or in the television industry in the 50s and 60s. There’s a lot of really fascinating information about how writers, producers, and studios operated at the time that I think most people wouldn’t know much about otherwise — and a lot of conversation about commercialism, appealing to the “lowest common denominator” of an audience, and being subject to the whims of the censors.
And that’s October’s recommendations! Just two months left this year, and I’m way behind on my Goodreads reading challenge, which isn’t too much of a surprise. We’ll see if I’m able to make it to 250 books (an ambitious goal to be sure) by the end of December. I definitely have some really interesting manga in my to-read pile, so I’m looking forward to having more to share by the end of November. Until then, happy reading!
August Favorites
I feel as though I start every one of these entries with “a lot has happened this month!” But yet, here I am feeling that sentiment all over again. With the last installment of our four-episode podcast series on Tokyo Tarareba Girls, the Manga Machinations podcast welcomed me on as a permanent host, starting in September. A couple weeks later, I announced my pregnancy to the Internet at large. And next week, CBLDF’s Selling Comics essay anthology is coming out, including a piece that I wrote.
I was able to see an advanced copy of Selling Comics recently and I was moved to tears — only partially because of the hormones. I saw my name listed among the names of so many comics retailers and other professionals for whom I have a great deal of respect and admiration, and I was honestly so honored to be among them in this wonderful collection. One of my favorite things to do is provide retailers with tools to sell manga, and it was awesome to have the opportunity to reach a wider audience — and to be featured in a print book! That’s so cool, y’all! I’m so excited.
Even with all this excitement, I managed to get quite a bit of reading in. Now that I’ve gotten into the swing of reviewing for Comics Beat, I am trying my best to stay a little ahead of the curve so I can write about manga close to their release date. This month, I reviewed one of my all-time favorite manga, Asumiko Nakamura’s Classmates, as well as the first volume of Akiko Higashimura’s Blank Canvas, in keeping with my brand of talking up Higashimura whenever and wherever I can.
I’m also looking forward to reading a lot more now that I’m a regular on Manga Machinations! The nice thing about reading in a group is that I’m going to have to branch out and read some things I normally wouldn’t consider. I’m expecting my monthly faves to start to change and evolve to include different, unexpected genres more frequently. But until then, here’s what moved me in August!
Skull-Face Bookseller Honda-San, Volume 1, by Honda — published by Yen Press
There was no way I was going to come away from this manga without loving every second of it. I had already seen a few episodes of the anime (which I fell behind on because I’m terrible at keeping up with anime) while I was still working at Comicopia, and I shared it with my coworkers at the time. Honda, depicted as a skeleton, works in the comics section of a large Japanese bookstore. Honda has to deal with all kinds of comics fans: Americans hunting for explicit doujinshi for their daughter, foreign BL fangirls, enthusiastic shonen manga otaku — you name it. The customer interactions are relatable enough, but it’s a lot of the nitty-gritty detail of working in book retail that really hit home. From dealing with reps and publicists, to stocking shelves, to having to adhere to street dates…it’s all too real for someone who has been in the trenches. I especially like the part where Honda admits to having difficulty carrying American comics, which are made on heavy, expensive paper and printed in color — and therefore are much, much heavier than manga. I’m also intrigued by the fact that I went into this manga assuming Honda was a man (and the anime gives Honda a masculine voice), but their gender isn’t ever stated, and there are hints that they might be a woman. Honda’s gender doesn’t particularly matter to the story, but I find it fascinating that I assume skeletons are men until told otherwise.
Snow, Glass, Apples, by Neil Gaiman & adapted by Colleen Doran — published by Dark Horse Comics
This short story by Neil Gaiman has always, always been my absolute favorite of his works, ever since I first read it in his Smoke & Mirrors collection. As a tween, I had an obsession with fairy tale retellings (I was the generation of Ella Enchanted, after all), and as I grew older I was also interested in darker themes in my fiction. And here comes Snow, Glass, Apples, weaving my inherent love for vampires and apple-related betrayals (I have a lot of feelings about the Garden of Eden, okay?) together with a story that places the traditional villain as the victim (I’m named after Morgan le Faye from Mists of Avalon…), and rendering me completely agog at its perfection. I didn’t think I could love it any more than I already did, but Colleen Doran’s adaptation is spectacular, utilizing a sublime influence from Harry Clarke’s illustrative works and steeping this horrifying tale in gorgeous lusciousness. My favorite kind of horror is always horror that is beautiful, and this adaptation is stunning from the lines to the colors and everything in-between. I cannot recommend it enough.
Parasyte, Volumes 1 & 2, by Hitoshi Iwaki — published by Kodansha Comics
I admittedly came to this manga really late! It was one of the early licenses that TokyoPop had back in the day, but I was too young to read or appreciate it back then. It’s one of those series where I kept thinking “I really should read this” but never got around to it — though I did watch the first few episodes of the recent anime (but again, I’m bad at keeping up with that stuff). And I am really, truly enjoying it a lot. I like well-done body horror — stuff that’s a little gruesome, but that has a point to it. I also am a sucker for intelligent entities sharing one body (thanks, Yu-Gi-Oh), as well as the struggle of main character Shinichi to determine what it is that makes him human — or what makes humans morally superior to other animals. It’s also really interesting to read about co-habitation of a body when I’m hosting my very own little parasite. Some of the things Shinichi is dealing with — a boundless appetite, new and strange emotions — are very similar to what I’m dealing with…though my baby is probably not an alien parasite bent on human destruction. I’m only two volumes in so far, but a friend of mine lent me the whole series so I’m gonna finish it all soon!
Way of the Househusband, Volume 1, by Kousuke Oono — published by VIZ Media
I was looking forward to this so much, and I was not disappointed in the least. I got an advanced copy of this and breezed through it. I…really, really love comedies about gangsters, whether they be high school hoodlums or members of the yakuza. In this manga, our protagonist Tatsu is a former yakuza boss who has left “the family” in order to concentrate on keeping house for his wife, a careerwoman working at a design firm. I love the dichotomy of Tatsu’s tough yakuza exterior with his apparently very serious dedication to wearing an adorable apron and making cutesy bento lunches for his wife. He seems to have taken all his yakuza training and applied it to being a househusband, and the results are an endearing and hilarious romp that just leaves you feeling good after you read it. This has its official release later in September, so be sure to preorder it or keep an eye out for it on bookstore shelves!
Komi Can’t Communicate, Volume 3, by Tomohito Oda — published by VIZ Media
I’ve actually been reading this series for a little while, starting with an advanced copy I got back in April or May. I thought the first volume was cute, but something about it compelled me to keep reading. And now, three volumes in, I’m just really enjoying it. The premise is a boy named Hitohito ends up sitting next to a girl in his class named Komi. Komi has a hard time communicating — and that’s actually an understatement. She doesn’t speak at all, but she is also beautiful and her silence leads classmates to believe she’s just a “cool beauty.” In reality, she’s an anxious mess, and somehow only Hitohito has picked up on this so far. He promises to be her friend, and to help her make 100 friends in high school. Watching Komi’s struggle with making friends is equally charming, relatable, and heartwarming, especially as her newfound friends find ways to help her overcome her communication disorder. This is another one of those simply fun manga, and I encourage anyone who feels the need for a little warm-hearted humor in their life to give it a go.
And with that, August is rapidly coming to a close. I’m always super busy in the fall, and my schedule has already started to ramp up. But I also love September and October, and as I gain baby weight I’m very much looking forward to cooler temperatures. If you’re local, you can find me paneling at LadiesCon on September 21st (some say hi!), and be sure to keep an ear on the Manga Machinations podcast starting first thing in September!
Tokyo Tarareba Girls Wins the Eisner!
Many readers will remember my Eisner-related post from last year, where I talked about my concern that the Eisners do not take into account the manga that audiences are actually reading. I still think this is a problem — and that by and large, all awards ceremonies are to some extent popularity contests that don’t necessarily take into account the actual value of a work.
That said, this year one of my all-time favorite series, Akiko Higashimura’s Tokyo Tarareba Girls, won the “Best U.S. Edition of International Material — Asia” Eisner, against the works of heavy-hitting male mangaka like Tsutomu Nihei and Inio Asano. To say that I’m ecstatic would be an understatement. For years, I have watched one prestige seinen title after another snag the award — and regardless of the fact that they are certainly all deserving of accolades, it became more and more disheartening to see works by women or about women’s lives falling to the wayside.
The main thing about this win for me is the fact that now more people will know what Tokyo Tarareba Girls is. Many people will pick it up out of curiosity. They will be exposed to a work they wouldn’t have bothered with otherwise, even if only to see what all the fuss is about. And some of them will love it. Sure, there will still be the handful of grumps who don’t understand how “chicklit” won the award, but I like to hope that the vast majority will be impressed by how good it is, and by how they wouldn’t have had any idea if it hadn’t won the Eisner.
I want Tokyo Tarareba Girls to be successful, but more than that, I want works by women and created with a female audience in mind to gain the prominence and prestige of works created for a male readership. I want works that reflect my life and the lives of my women peers to be taken seriously, to not be dismissed as lesser or frivolous.
I want to stop wondering “what if, what if,” and be able to rejoice because the future I have been hoping for — a future where the voices and interests of women, of queer folks, of people of color are acknowledged and uplifted in the comics world — has become a reality.
The Beautiful & the Damned; Where Violence Meets Aesthetics in Pet Shop of Horrors
Among the extensive list of things I shamelessly love are: the occult detective genre, beautiful men, the monster-of-the-week format, and morality plays. Matsuri Akino’s Pet Shop of Horrors very neatly contains all of these things, and indeed might be the reason I’m so fond of some of them.
For those unfamiliar with this late-90s shojo series, the premise is that in LA’s Chinatown there is a mysterious pet shop whose proprietor, Count D, sells exotic “animals” to anyone who can pay the price. Each animal comes with a specific set of rules, and when those rules aren’t followed to the letter, tragedy inevitably occurs. LAPD officer Leon Orcot is assigned to investigate D and the weird phenomena linked to his shop, but in the process he is drawn into a series of Twilight Zone-esque situations that he cannot explain, let alone report to his superiors.
Right now, I can look at this premise and think to myself, “Yep, this is totally my kind of bullshit.” But when I first picked it up as a young teen, it was because I was drawn to its beautiful cover, where the androgynous D is holding a mermaid, whose back is turned to the viewer. D’s eyes are piercing and almost sad, his fingers long and delicate. I was in love with this man who moved in multiple worlds: the masculine and the feminine, reality and fantasy, beauty and horror.
And when I bought and read this first volume, I was shocked. It wasn’t outright scary, necessarily, but it certainly was gory. In the first chapter already was there a horrific scene of evisceration, in and amongst all the trappings of a classic 90s shojo style, preoccupied with luxury and beauty. It was jarring, and it was effective. I discovered then that I didn’t dislike horror like I had previously thought, I just wanted it to be beautiful.
To this day, I find myself critical of scary or violent media that doesn’t also have a keen sense of aesthetics. I don’t necessarily enjoy being frightened; I am a naturally anxious person with vivid and violent dreams who does not react well to heightened suspense in media. I do like dark themes, though, and in recent years I have made it a point to expose myself to films especially that I know I would like if I could just get over my own hang-ups. And by being discerning, I’ve been rewarded with some of the most gorgeous horror and gore I’ve ever seen.
I think beauty and romance are natural companions to horror. All these themes pivot on an axis of drama, of amplified emotions. They all invoke visceral reactions, not logical ones. All my life I’ve surrounded myself with artwork depicting scenes and themes of witchcraft, hauntings, murders, martyrs, and mortality. It seems natural to me that scary things can pull at the same emotions I feel when I recognize something as beautiful.
And all this because way back in 2003, Tokyopop decided to take a chance on something that wasn’t very common in the comics world at the time: horror for girls. There’s plenty of it to be found in the manga world, and now there is more acknowledgement of girls and women reading outside of the romance genre. But it was new for me then, and even now Pet Shop of Horrors remains one of my favorite series, because it presented to me something I hadn’t known I was seeking out. It understood my tastes uniquely; it was able to marry my desire with my rage and prove them to be not disparate but intertwined and equally valid.
In truth, it is a somewhat silly series. It is certainly more fun than profound, but that in and of itself is not a criticism. It is pure, indulgent entertainment, and for me it is certainly laced with a nostalgic love that I will never be able to shake. How many times have I reread and referenced that first volume, gazing awestruck at the lovingly rendered intestines spilling out of a beautiful man’s body? How many times have I giggled at the flirtatious relationship between D and Orcot? How many times have I wished that modern depictions of mermaids were even half as scary as the one Akino has created?
The series is unfortunately long out of print, and later volumes are hard to find. I imagine that it wasn’t a huge seller for Tokyopop, though I am forever grateful that they took a chance on it to begin with. The anime is available to stream on HiDive, brief as it is, if you’d like to get a glimpse into Count D’s enigmatic Chinatown pet shop.
February Favorites
Time for something new! I’m going to start trying to round up some of my favorite comic reads at the end of each month. These won’t necessarily be things that came out the month in question (though I do try to keep up when I can), but anything I’ve managed to get my hands on that I feel is worth a mention. I read a lot, so I’m going to have to figure out how to limit my choices, but hopefully with time will come clarity!
I will say, first off, that this has been an…interesting month. I still feel so new to the freelance writing world, but I do think that things are coming together nicely, and I’m getting to a point where I can start challenging myself with how much work I take on. I also lost my cat, Mia, on February 12th. She was quite old, and her decline was very rapid. While she was sick, I spent a good deal of my time attending to her; after her death, there was a lot of time where I was just too miserable to feel like I wanted to do much of anything, let alone read. Still, a visit to Comicopia did help lift my spirits considerably, and while I have to be a little bit more judicious in my purchases right now, I was able to bring home some good new material.
I am also about to spend five days with my family while James is away on business, which is why I’m getting this out before the true end of the month. I suspect I will be too busy doing things with my mom and trying to keep up with my writing work to read too many more comics. But I wanted to give this segment a try, anyway, so I’ve decided to work with what I’ve got.
So without further ado, my picks for the month!
Magical Beatdown, Volume 1, by Jenn Woodall — published by Silver Sprocket
This slim little issue does one of my favorite things: It combines a love of the ultra-femme concept of the magical girl and mixes it generously with a hyper-violence that is both gross and cathartic at the same time. I think there’s a lot to be said about women enjoying and creating violent content, and some day I hope to talk about it more in-depth. But for now, I want to recommend the excellent pastel gore-fest revenge fantasy that is Magical Beatdown, because sometimes you just wanna go to the arcade without having to deal with losers! I’m looking forward to getting my hands on the second installment.
House of Penance, by Peter J. Tomasi, Ian Bertram, and Dave Stewart — published by Dark Horse Comics
Speaking of gore-fests, this standalone graphic novel is not for the faint of heart or stomach. The Winchester mansion in San Jose, California, is famous for it’s staircases that lead to nowhere, its doors that open onto nothing but air, and the nagging suspicion that it is not entirely empty. House of Penance is an exploration of Sarah Winchester’s mental state as she commissions the building of this strange domicile while grappling with the grief of losing her daughter and her husband, and the guilt of inheriting the wealth from a company whose business is murder. I’m always down for a strong anti-gun message, personally, and there is no holding back here as Sarah is confronted relentlessly by the victims of her in-laws’ firearm empire. Ian Bertram’s art is eerie and textured, Sarah especially portrayed with bug-like eyes that can see more than the men working around her. Dave Stewart’s incredible colors compliment Bertram’s lines beautifully, and his use of bright, vibrant blood red is very effective.
Shion: Blade of the Minstrel, by Yu Kinutani — published by VIZ Media (out of print)
I came upon this volume completely by accident, while I was still working at Comicopia. It was hidden away in storage, in a long box full of old single issue comics, many of which were single issue manga, from way back when everything was flipped and companies tried selling manga like Western single-issue comics. I was drawn to its striking cover and detailed artwork, so I brought it home. That had to have been nearly two years ago, as I had put it into a comic box and promptly forgotten it. I dug it out recently while I was doing some organizing, and I resolved to finally read it.
And honestly, I was stunned. This little volume is so extraordinarily different from any manga that is being licensed and published today. It wouldn’t be seen as marketable, probably, but I’m so glad that VIZ took a chance on it back in 1991, because it was a pleasure to read. The book is split into two stories that follow a mysterious minstrel who must first take his revenge on a monster who wronged him and his family, and then must take up a legendary sword to fulfill his destiny. That one sentence seems like straightforward fantasy, and in many ways that’s what Shion is; as an essay at the back of the volume explains, it is a classic hero arc seen in many fairy tales and epics. But it’s so gorgeously textured in its artwork, and for me it invoked the same feelings as Vampire Hunter D and classic Jim Henson works, especially The Dark Crystal. It’s creative and beautiful, and I’d love to see what Kinutani did after this work. Worth hunting down if you are able!
My Solo Exchange Diary, Volume 2, by Nagata Kabi — published by Seven Seas Entertainment
In many ways, there’s not much I can say that I haven’t said before, in various spaces, about Nagata Kabi’s autobiographical work. Of the three volumes she has out from Seven Seas right now, I think this one was my favorite, even though much of it was spent talking about her time in the hospital. I appreciate, more than ever, her honesty, especially as she realizes how her mental state had prevented her from understanding how much her family actually loves her and wants what’s best for her. She continues to struggle throughout the volume, but it is evident that she’s repairing her relationships and learning, slowly, how to better communicate her pain so that she’s not suffering alone. I know that many people have been critical of her constant self-destruction, but to that end I just have to say…it is evident those people have never struggled with serious mental illness, or really known anyone who has. What Kabi is going through is not logical, it is not easily navigated, and her honesty and willingness to expose herself like she this has surely had a positive effect on others who have felt similarly isolated, self-destructive, and hurt. I continue to send her only the kindest, gentlest, most positive thoughts as she works on overcoming her pain. It’s a hard road, and she’s been working at it for a long, long time. I hope she’s able to find some peace soon.
All My Darling Daughters, by Fumi Yoshinaga — published by VIZ Media
Fumi Yoshinaga is one of those creators whose work I always know I’ll enjoy, but who also manages to completely exceed my expectations every single time. So was the case with All My Darling Daughters, a standalone volume that explores various relationships between people in a friend group, with special emphasis on the one between Yukiko and her mother, Mari, who has married a much younger man. Yoshinaga has such a sensitive touch with her characters that I find myself sympathizing even with those who in a different author’s hands, I would absolutely hate. It is an incredible skill to express the nuances of humanity, and Yoshinaga is extraordinarily good at it. I felt especially drawn to the last story in the collection, which dives into Mari’s antagonistic relationship with her own mother (Yukiko’s grandmother). Mari hates her mother for having been unnecessarily cruel about her appearance while she was growing up, not realizing that her mother was trying, in her own imperfect way, to protect her daughter from becoming reliant on her good looks. I was so strongly reminded of the dynamics between the women in my own family, the dynamics between my mother and my grandmother, and the increased awareness I have lately of how heavy motherhood can be. “A mother is an imperfect woman,” Yukiko realizes, and it is a perfect underscore to a book full of imperfect people who are just trying to do the right thing.
Looking back, it seems I’ve read a lot of very different books this month, but there are certain themes that run throughout. A lot of introspection, explorations of mental health (both real and fictional), and a little bit of violence and some adventure to balance things out. I like the micro-review format because I can fit several recommendations into a post at once, and I am not liable to give too much away. I hope this proves useful, and I look forward to following up again next month with some more excellent reads!